July 2, 2009

Categories: Design
Innovation

5.0 by 1 people

Emotional Design Delivers Intangible Value


Designers at Pottery Barn firmly believe that emotionally, every product has to feel just right. The process is more art than science: no market studies, no focus groups. Only living the lifestyle. Because to create a strong lifestyle brand, you have to live the life. And that’s the requirement of every designer on the in-house team. Pottery Barn wants to create inspiration, so the input must reflect vitality. Designers go to popular eateries and watering holes to see how tables are set. They pick through flea markets for the one-of-a-kind finds. They go dreaming by visiting new model homes and dropping in on real estate open houses. They’re encouraged to entertain often and record wish-list items.
 
All fodder for brainstorming, the collected ideas and input make their way to the Inspiration Room, where they get bundled, sorted and categorized. As themes emerge from the various finds, storyboards and palettes are created. Once a potential new product passes muster on compulsory quality and durability, it must then pass a strict three-point test centered on the softer side of things.
 
1. Looks great—The item has to be aesthetically pleasing to the eye. But it can’t be out on the lunatic fringe, too cutting edge. Design standards call for every product to be directionally out front, but in an abundant way. Meaning everyone can relate to it.
 
2. Feels good—The product has to tingle the touch, to comfort and caress. Rough fabrics and course materials don’t make the cut.
 
3. Fits perfect—The ultimate test is a simple question to the staffers: Would you take it home or give it as a present to your best friend? The slightest hesitation and the item goes back to the drawing board or gets the heave-ho. 
 
At Pottery Barn, emotion is engineered into every product.
 
 
 
 
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July 1, 2009

Categories: Creativity
Design
Innovation
Kaizen

5.0 by 2 people

Reward: Creativity's Forbidden Fruit


I am constantly asked how to best structure a financial reward system in an effort to motivate people to contribute ideas and improvements. My answer: Just say no.

Combined research from the Employee Involvement Association and Japan Human Relations Association reveals that the average number of ideas submitted per employee annually is 100 times greater in Japanese companies than in U.S. companies. Why? For one thing, we reward the wrong thing in the wrong way. The average reward in Japanese companies is 100 times less than the average U.S. reward of nearly $500. We have it backwards! 

In a nutshell: payment for ideas can defeat the purpose. 

The situation brings to mind one of my favorite parables:

An old woman lived alone on a street where boys played noisily every afternoon. One day, the din became too much, and she called the boys into her house. She told them she liked to listen to them play, but her hearing was failing and she could no longer hear their games. She asked them to come around each day and play noisily in front of her house. If they did, she would give them each a quarter. The youngsters raced back the following day, and they made a tremendous racket playing happily in front of the house. The old woman paid and asked them to return the next day. Again they played and made noise, and again she paid them for it. But this time she gave each boy only 20 cents, explaining that she was running out of money. On the following day, they got only 15 cents each. Furthermore, the old woman told them she would have to reduce the fee to a nickel on the fourth day. The boys then became angry and said they would not be back. It was not worth the effort, they said, to play for only a nickel a day.

Sound familiar? The old woman’s scheme effectively stole from the boys the very thing they loved most to do, what they were in fact doing for free. The moral of the story is pretty clear. If we’re not careful, we can replace a natural motivation with a synthetic one. We can rob creative power from people by attaching a financial reward to ideas.

The story repeats itself all the time. Companies treat employees like a rat in a maze after cheese, by paying for approved ideas and accepted suggestions. They then wonder why they get such low participation. They give no thought to the notion that in order to get a good idea, you need a lot of ideas. 

Teachers at my daughter's school are notorious for the practice, and I take them to task regularly. They want students to read more books, so they reward the completion of books. Maybe with a homework exemption. Or extra credit. Or even vouchers to the local Taco Bell. So the quick and easy books get read. The superficial books get read. Even the good readers, the ones who love to read, get swept up in the program. They stop reading the classics, turning to the quick reads to score points. Then the program is discontinued, and everyone stops reading. Even the best readers lose their love of words. And that’s a true shame.

Is there a solution? I think so: mandatory kaizen, aka continuous improvement. Yep, good old Yankee born and bred incremental innovation, circa World War II, courtesy of Training Within Industry under the auspices of Roosevelt's Emergency Services. Make it part of the daily work. Make it the daily work. Kaizen aims to draw out the natural curiosity and creativity within people and guide it toward adding value for customers.

Kaizen does not attempt to light a fire under people. It lights the fire within them. 

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June 30, 2009

Categories: Design

5.0 by 1 people

Symmetry Photo of the Week: HUSH


Great designers, and design thinkers, understand the power of symmetry. Symmetry is not about a static quality, like a mirror reflection. The correct definition of symmetry comes from mathematics, the way Hermann Weyl defined it in his 1952 book, Symmetry: “A thing is symmetrical if there is something you can do it so that after you have finished doing it, it looks the same as before.” What Weyl’s definition really says is that symmetry is about dynamic properties of ordering, organizing, and operating...using the power of the natural world and its infinitely repeating patterns.

Symmetry, and of asymmetry, catches our eye. Take a look at this photo. It's a cool example of symmetry in action. HUSH is a Brooklyn-based content creation studio.


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Call Me Matt

I'm the author of the book you see above, IN PURSUIT OF ELEGANCE: Why the Best Ideas Have Something MissingBoth the book and this blog are all about the search for creative ideas and innovative solutions that are what I call elegant, because they have the unique and elusive combination of unusual simplicity and surprising power. I happen to think it's not just a fun book to read, but a timely one. These are extremely difficult times for everyone. I'm optimistic that if we stop, slow down, think a bit more deeply and differently about the challenges we're facing, the elegant solutions will begin to surface. The reason I think so is that I've been able to find many compelling examples from all over the world and from many disciplines that prove how a mindful approach to doing less, thinking more, and subtracting rather than adding, can lead to outcomes far outweighing what might be achieved using conventional approaches. In other words, when it comes to creative, innovative, resourceful ideas that truly break through, I believe that what isn't there can trump what is. I intend to keep proving the point. But I need your help, for the simple reason I can't be everywhere or see everything. So join me, contribute your observations and ideas and comments.  

As a first step, I invite you to buy the book, in hard copy, ebook or audio format. You can get it at any one of the booksellers shown here. Join the journey with me today!

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